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Heritage represents the three phases of womanhood. The triadic theme is an old one and it appears in many cultures, including my own Cherokee heritage. For me, it was a chance to work in high and low relief and to experiment with a myriad of forms and textures. For observers, Heritage can be interpreted in many ways and personalized to any tradition.
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Storm represents two contrasting figures struggling against the powers of nature. The woman is looking back as if she has lost something in the tragedy. While the man leans forward, head down, into the wind and rain with single-minded determination. The contrast of their poses and reactions to the unfolding drama can be seen in its many forms from all angles. The work was inspired by hurricanes Katrina and Sandy, but I call it Storm because it symbolizes the concept of tragedy in all its dark forms.
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What is a dream? To me, whether they are the waking reveries of our minds or more mysterious nocturnal fantasies, dreams are windows into new worlds. The inspiration for this work came while listening to my model recall a recent dream, while looking out a window in my studio. In the finished work I have him kneeling, bolt upright on the edge of a bed, spreading the curtains on the dawn of his new vision. He is Day Dreaming.
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Years ago, in Europe, I saw a wonderful pastel from the 1890’s of a woman wearing a head wrap and holding a golden medallion on a dark cord. One day, Brooke, a model and fabric designer, came to my studio with this wonderful piece of burgundy material to show me – and she was wearing a golden medallion on a dark cord. We went to work, immediately on Medallion.
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I love to draw feathers with pastels because the marks pastels make have a wonderful feathery quality. Knowing this, my model Brooke arrived one day with a feathered mask. In the background are a series of tiles incorporating nautilus and feather motifs, a design I created for Brooke. And thus Waiting for the Masquerade was born.